Jim Watts has posted the text of the paper he delivered at the 2012 EIR-AAR/Society for Comparative Research in Iconic and Performative Texts meeting over at the Iconic Books blog.
You can read the full text of his talk here.
Showing posts with label AAR. Show all posts
Showing posts with label AAR. Show all posts
Saturday, June 9, 2012
Thursday, May 10, 2012
Report from Eastern International Region SCRIPT Conference
This is the second year that SCRIPT has held a meeting concurrently with the Eastern International Regional meeting of the AAR. Last year we met at Syracuse University. This year's meeting was held at Waterloo University, outside Toronto.
We had a slightly smaller footprint at this year's conference. Instead of several sessions, we had one. Despite the small size, however, it was well-attended, and the conversation was quite lively.
The following presentations were part of the session:
Jim Watts's paper builds on the thesis he first put forth in his earlier paper, “The Three Dimensions of Scriptures.” In his discussion, Watts argues that a "Relic" text can be understood as a text where the iconic dimension has been hyper-emphasized, and the other two dimensions (the semantic and performative dimensions) have been largely or wholly eclipsed. He had a good supply of examples, from the Declaration of Independence on display in Washington, D.C. to several kinds of Bibles that are designed to be seen, but not read.
Karl Solibakke's paper attempted to bring the questions of Iconic Books into conversation with Walter Benjamin's corpus, particularly around the Benjaminian concept of the "script." According the the website of the International Walter Benjamin Society, "The term 'Script' (Schrift) emerges in the 1920’s as the center around which Benjamin’s meditations on the relationship between writing and image crystallize," and refers specifically to the act of writing as a graphic event, and not merely a textual one. Solibakke's paper added a rich dimension to the discussion that followed the three papers.
Despite our only having one session this year, we managed to attract a number of interested persons to the session, with some even pledging to join SCRIPT as a result. After the session, the participants and many of the attendees departed to the evening reception where, despite a loud jazz band, good conversation and conviviality lasted well into the night.
We had a slightly smaller footprint at this year's conference. Instead of several sessions, we had one. Despite the small size, however, it was well-attended, and the conversation was quite lively.
The following presentations were part of the session:
- David Dault, Christian Brothers University: "On a Controlled Bibliographic Vocabulary for SCRIPT and its Related Organizations: A Response to Deirdre Stam"
- James W. Watts, Syracuse University: "Relic Books"
- Karl Ivan Solibakke, Syracuse University: "Identity, Mimesis and Script: Walter Benjamin's Mimetic Function Revisited"
Jim Watts's paper builds on the thesis he first put forth in his earlier paper, “The Three Dimensions of Scriptures.” In his discussion, Watts argues that a "Relic" text can be understood as a text where the iconic dimension has been hyper-emphasized, and the other two dimensions (the semantic and performative dimensions) have been largely or wholly eclipsed. He had a good supply of examples, from the Declaration of Independence on display in Washington, D.C. to several kinds of Bibles that are designed to be seen, but not read.
Karl Solibakke's paper attempted to bring the questions of Iconic Books into conversation with Walter Benjamin's corpus, particularly around the Benjaminian concept of the "script." According the the website of the International Walter Benjamin Society, "The term 'Script' (Schrift) emerges in the 1920’s as the center around which Benjamin’s meditations on the relationship between writing and image crystallize," and refers specifically to the act of writing as a graphic event, and not merely a textual one. Solibakke's paper added a rich dimension to the discussion that followed the three papers.
Despite our only having one session this year, we managed to attract a number of interested persons to the session, with some even pledging to join SCRIPT as a result. After the session, the participants and many of the attendees departed to the evening reception where, despite a loud jazz band, good conversation and conviviality lasted well into the night.
Friday, November 18, 2011
Report from the AAR pre-conference meetings
I arrived Thursday afternoon, and have been having a very fruitful set of discussions with colleagues as part of the Society for Scriptural Reasoning pre-conference plenary.
Peter Ochs, the organizer, has characterized the discussions as "the first Abrahamic revival meeting." Our sessions were divided between time spent doing SR around a collection of texts on music, and discussions of the future of SR practice in Europe and North America.
For the music study, we looked at several Suras from the Qur'an, a passage from Chronicles, and a passage from the Book of Revelation. What I found most fascinating (and had not known before beginning the study) is that there is no mention of music in the Qur'an. I found that incredibly surprising, but as time went on, that fact opened up an amazing discussion about the way in which interpretive traditions will insinuate and "read" things into texts that are not literally present, and the hermeneutic problems (and possibilities) that ensue.
This evening I will participate in a second (and unrelated) pre-conference symposium dealing with the upcoming edited anthology from the Liturgical Press's Rock and Theology project, to which I have contributed a chapter.
Exhausting day, but a really good day as well.
Peter Ochs, the organizer, has characterized the discussions as "the first Abrahamic revival meeting." Our sessions were divided between time spent doing SR around a collection of texts on music, and discussions of the future of SR practice in Europe and North America.
For the music study, we looked at several Suras from the Qur'an, a passage from Chronicles, and a passage from the Book of Revelation. What I found most fascinating (and had not known before beginning the study) is that there is no mention of music in the Qur'an. I found that incredibly surprising, but as time went on, that fact opened up an amazing discussion about the way in which interpretive traditions will insinuate and "read" things into texts that are not literally present, and the hermeneutic problems (and possibilities) that ensue.
This evening I will participate in a second (and unrelated) pre-conference symposium dealing with the upcoming edited anthology from the Liturgical Press's Rock and Theology project, to which I have contributed a chapter.
Exhausting day, but a really good day as well.
Tuesday, May 18, 2010
Panel proposal on "Material Scripture" accepted by AAR
I am happy to report that the panel we have proposed to discuss the growing fields of "Material Scripture" and "Iconic Books" has been accepted. We will be presenting the panel during the Sunday "wildcard" sessions at the American Academy of Religion conference this fall in Atlanta (October 30 - November 2).
The one update of note at this point is that Brent Plate, with regret, has withdrawn his paper, as he has received a grant to study material religious culture in Japan that will take him out of the country during the dates of the conference. We have just confirmed that James S. Bielo, author of Words upon the Word: An Ethnography of Evangelical Group Bible Study
, will take Brent's place on the panel.
I will post more updates as they are available. Meanwhile, if you plan to be at the conference, or in the area, please make plans to attend. It's going to be a great discussion!
The one update of note at this point is that Brent Plate, with regret, has withdrawn his paper, as he has received a grant to study material religious culture in Japan that will take him out of the country during the dates of the conference. We have just confirmed that James S. Bielo, author of Words upon the Word: An Ethnography of Evangelical Group Bible Study
, will take Brent's place on the panel.I will post more updates as they are available. Meanwhile, if you plan to be at the conference, or in the area, please make plans to attend. It's going to be a great discussion!
Tuesday, March 9, 2010
American Academy of Religion proposal for a panel to discuss Material Scripture
The following is the text of the proposal we turned in this week to the AAR. We are hopeful the committee will pick it up and let us do the panel. Keep fingers crossed.
From well before the advent of movable-type printing techniques, the Holy Bible has been a marketed object. This fact has only become more apparent in recent decades, with the rise of Bibles increasingly tailored to demographics and identity.
This panel will explore the physical forms that Scripture takes, as it is presented to readers in various iterations as a printed artifact. Thus the phrase, “Material Scripture,” describes a practice of inquiry that seeks to examine the culture of mass-market Bibles in North America by analyzing the Bibles themselves.
Raymond Williams’s argument, that “we cannot separate literature and art from other kinds of social practice, in such a way as to make them subject to quite special and distinct laws,” became the kernel for a method of literary criticism known as “cultural materialism.” This method, most visibly applied to the field of Shakespeare studies through the publication of Dollimore and Sinfeld’s Political Shakespeare (1985), has been adopted, and adapted, in recent years by a group of biblical scholars and theologians. Working under a variety of names, including “Iconic Books,” “Material Religion” and “Material Scripture,” these scholars are creating an international dialogue as to the various methodologies and practicalities of this “materialist” approach to biblical criticism.
This panel proposes to draw together several of the active scholars in this growing field of inquiry. We are at a point where it is appropriate that our discussions have a wider level of participation and become more public. Thus we are proposing this panel as a forum for a series of differing but complementary examples of “materialist” approaches to scripture.
A mass-produced Bible is both highly designed and, to an ever-increasing degree, a “designer” object. Published Bibles that reflect the demographics of certain aspects of American culture and lifestyle preferences are becoming prevalent in the marketplace, and this trend is not necessarily well addressed by the current methods of biblical criticism. In this panel, Brent Plate, Timothy Beal, and David Dault will offer varying perspectives on a more “materialist” approach to the printed Bible. These explorations of the physicality and genealogy of printed Bibles open up avenues of ideological and theological critique that stretch far back into the history of modern versions of Scripture and into the history of Western print culture itself. Dori Parmenter will respond, and James Watts will chair the proceedings.
The panelists, and their projects, are as follows:
S. Brent Rodriguez Plate (Hamilton College), “Looking at Words” – Typeface and page design matters. The matter (i.e., materiality and thus visuality) of words is as important as the semantics of them. “The Word” in Gothic font means one thing. “The Word” in Helvetica means something quite different. The presentation includes two key points. First, printed words are images, and the so-called Word-Image split ignores the visuality of script, typeface, and layout. Second, interpretation is emotional and affective. There can then be no clear-cut distinction between the semantic dimensions of texts and the iconic and performative dimensions. The rationality of semantics is not separable from the experiential appearance of words. They impact us emotionally, rationally, and, usually, subliminally.
Timothy K. Beal (Case Western Reserve University), “The Materiality of the Bible as Icon” – This multimedia presentation will incorporate a series of cultural representations of the Bible. The initial part of the presentation will involve a montage of images from film and video that demonstrate how the physical presence of the Bible in such representations can function in a totemic or iconic fashion. A brief theoretical reflection upon and discussion of the montage will follow. In this discussion, Beal will examine how the “cultural iconicity” of the Bible seems to be able to contain the plural materialities of Scripture — and how far that iconicity can be stretched to include new and radically different material forms.
David Dault (Christian Brothers University), “From Cultural Materialism to Material Scripture: Developing a Functional Methodology” – This paper will take a step back from the practices of material criticism represented by the first two papers, and offer an analysis of the developing process of material biblical criticism. “Material Scripture” will be presented as an ethically based ideological critique of the practice of"embedding" theologies and hermeneutic guidance into the visual and paratextual corpus of published Bibles, and some initial methodologies for its practice will be identified.
Response to the presentations will come from Dori Parmenter (Spalding University), and the session will be chaired by James Watts (Syracuse University), both of whom have worked in developing the “Iconic Scriptures” project, based at Syracuse University, which has approached a similar range of concerns with a different set of methodologies and assumptions. The inclusion of this alternative approach will, it is hoped, lead to a rich and generative discussion of the wider issues at stake in these disparate approaches to scripture.
Abstract
A mass-produced Bible is both highly designed and, to an ever-increasing degree, a “designer” object. Published Bibles that reflect the demographics of certain aspects of American culture and lifestyle preferences are becoming prevalent in the marketplace, and this trend is not necessarily well addressed by the current methods of biblical criticism. In this panel, Brent Plate, Timothy Beal, and David Dault will offer varying perspectives on a more “materialist” approach to the printed Bible. These explorations of the physicality and genealogy of printed Bibles open up avenues of ideological and theological critique that stretch far back into the history of modern versions of Scripture and into the history of Western print culture itself. Dori Parmenter will respond and James Watts will chair the session.
From well before the advent of movable-type printing techniques, the Holy Bible has been a marketed object. This fact has only become more apparent in recent decades, with the rise of Bibles increasingly tailored to demographics and identity.
This panel will explore the physical forms that Scripture takes, as it is presented to readers in various iterations as a printed artifact. Thus the phrase, “Material Scripture,” describes a practice of inquiry that seeks to examine the culture of mass-market Bibles in North America by analyzing the Bibles themselves.
Raymond Williams’s argument, that “we cannot separate literature and art from other kinds of social practice, in such a way as to make them subject to quite special and distinct laws,” became the kernel for a method of literary criticism known as “cultural materialism.” This method, most visibly applied to the field of Shakespeare studies through the publication of Dollimore and Sinfeld’s Political Shakespeare (1985), has been adopted, and adapted, in recent years by a group of biblical scholars and theologians. Working under a variety of names, including “Iconic Books,” “Material Religion” and “Material Scripture,” these scholars are creating an international dialogue as to the various methodologies and practicalities of this “materialist” approach to biblical criticism.
This panel proposes to draw together several of the active scholars in this growing field of inquiry. We are at a point where it is appropriate that our discussions have a wider level of participation and become more public. Thus we are proposing this panel as a forum for a series of differing but complementary examples of “materialist” approaches to scripture.
A mass-produced Bible is both highly designed and, to an ever-increasing degree, a “designer” object. Published Bibles that reflect the demographics of certain aspects of American culture and lifestyle preferences are becoming prevalent in the marketplace, and this trend is not necessarily well addressed by the current methods of biblical criticism. In this panel, Brent Plate, Timothy Beal, and David Dault will offer varying perspectives on a more “materialist” approach to the printed Bible. These explorations of the physicality and genealogy of printed Bibles open up avenues of ideological and theological critique that stretch far back into the history of modern versions of Scripture and into the history of Western print culture itself. Dori Parmenter will respond, and James Watts will chair the proceedings.
The panelists, and their projects, are as follows:
S. Brent Rodriguez Plate (Hamilton College), “Looking at Words” – Typeface and page design matters. The matter (i.e., materiality and thus visuality) of words is as important as the semantics of them. “The Word” in Gothic font means one thing. “The Word” in Helvetica means something quite different. The presentation includes two key points. First, printed words are images, and the so-called Word-Image split ignores the visuality of script, typeface, and layout. Second, interpretation is emotional and affective. There can then be no clear-cut distinction between the semantic dimensions of texts and the iconic and performative dimensions. The rationality of semantics is not separable from the experiential appearance of words. They impact us emotionally, rationally, and, usually, subliminally.
Timothy K. Beal (Case Western Reserve University), “The Materiality of the Bible as Icon” – This multimedia presentation will incorporate a series of cultural representations of the Bible. The initial part of the presentation will involve a montage of images from film and video that demonstrate how the physical presence of the Bible in such representations can function in a totemic or iconic fashion. A brief theoretical reflection upon and discussion of the montage will follow. In this discussion, Beal will examine how the “cultural iconicity” of the Bible seems to be able to contain the plural materialities of Scripture — and how far that iconicity can be stretched to include new and radically different material forms.
David Dault (Christian Brothers University), “From Cultural Materialism to Material Scripture: Developing a Functional Methodology” – This paper will take a step back from the practices of material criticism represented by the first two papers, and offer an analysis of the developing process of material biblical criticism. “Material Scripture” will be presented as an ethically based ideological critique of the practice of"embedding" theologies and hermeneutic guidance into the visual and paratextual corpus of published Bibles, and some initial methodologies for its practice will be identified.
Response to the presentations will come from Dori Parmenter (Spalding University), and the session will be chaired by James Watts (Syracuse University), both of whom have worked in developing the “Iconic Scriptures” project, based at Syracuse University, which has approached a similar range of concerns with a different set of methodologies and assumptions. The inclusion of this alternative approach will, it is hoped, lead to a rich and generative discussion of the wider issues at stake in these disparate approaches to scripture.
Abstract
A mass-produced Bible is both highly designed and, to an ever-increasing degree, a “designer” object. Published Bibles that reflect the demographics of certain aspects of American culture and lifestyle preferences are becoming prevalent in the marketplace, and this trend is not necessarily well addressed by the current methods of biblical criticism. In this panel, Brent Plate, Timothy Beal, and David Dault will offer varying perspectives on a more “materialist” approach to the printed Bible. These explorations of the physicality and genealogy of printed Bibles open up avenues of ideological and theological critique that stretch far back into the history of modern versions of Scripture and into the history of Western print culture itself. Dori Parmenter will respond and James Watts will chair the session.
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